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toko 1.jpg
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toko toko toko toko, 2022. Etched marine grade aluminium, hose clamps, percussive objects

toko 3.jpg

by and by and by and by, 2022. Tissue paper, graphite, PLA filament. 

Text from Blue Oyster Art Project Space 

"toko by and by thinks upon acts of meeting, within and around the Otago harbour. On residency in Whaka Oho Rahi Broad Bay, Kelly spent time reading the transcribed kōrero of Kāi Tahu tipuna Pātahi, who met the sealer Edwin Palmer in the early waves of arrival by tākata pora through our harbour. Much of Pātahi’s kōrero speaks to variations of repeat encounter––her meeting, losing, and meeting again of Edwin as his trade took him to and from the coast. The loss and seeking out of her daughters, from whom she was separated upon ‘divorce’ from Palmer.
Her settlements and re-settlements around different kaik of Te Waipounamu. The pathways of mahika kai, and newly emerging systems of value in her travels. Pātahi speaks of time passing both in terms of the maramataka, and with newer frames of reference such as the english phrase “by and by” to contextualise cycles of connection, loss, resource, and her own changing understanding of Kāitahutaka in this intense period of European settlement and intermarriage. 

toko by and by seeks to acknowledge the resilience of the harbour-the mauri of its multispecies community, as evidenced by its deeply seated rhythms. Two key figures, our tides and our coastal kōhatu/rocks, become surfaces for holding and casting out whakapapa. 

Field drawings of the moana, the maramataka, travelling sea birds, intertidal species, and masting grasses and trees, have been collected for further sensory meeting and interfacing by both Kelly and manuhiri of the work.

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